an atlas of nuclear manifestation, past and present.
Read more "ATOMSPHERE"INFOSSIL
Artist Talk @newmediagallery
Sunday, August 20, 2023
11:00am PDT (Vancouver) UTC-7
08:00pm CEST (Berlin) UTC+2
Death by Data – carbon calculus – materialistic media metrics II
It is estimated that one human life is lost prematurely every 4.51 seconds due to exposure to dust. Furthermore, we estimate that one human life is lost prematurely every 7.51 minutes due to the exposure to dust originating from the production, delivery and consumption of digital data. trend increasing.
Read more "Death by Data – carbon calculus – materialistic media metrics II"AVATAR | FINALE BERLIN 2023
the art of fossil spamming:
27 tonnes of lignite coal
minimalcarbon | 2022/23
Addressing the Digital Power Consumption Crisis
Read more "minimalcarbon | 2022/23"minimal carbon has been selected 2023 by Pioneer, a startup accelerator dedicated to fostering creative and ambitious innovators representing a collective valuation exceeding $1 billion. Backed by Stripe and Marc Andreessen, Pioneer employs an advanced AI-driven process, scraping 100 million domains weekly and narrowing down the top 0.002% [1:50,000] for human evaluation—ultimately identifying minimal carbon as one of its standout innovations.
MINIMAL CARBON PODCAST | 2023
english / deutsch
#karlsruhedigital #zkm #unescocityofmediaarts
Read more "MINIMAL CARBON PODCAST | 2023"Protected: TRANSCHEMICAL | 2022
There is no excerpt because this is a protected post.
Read more "Protected: TRANSCHEMICAL | 2022"infossil – AD VITAM | 2002
A Conversation between Peter Weibel and Michael Saup, Karlsruhe, 2002
Read more "infossil – AD VITAM | 2002"“When people disappear, new systems and ideas can emerge. But i’m not fighting for death, i’m trying to limit it: we humans participate in this evolution for such a short time that we can’t even observe it. there’s a huge play being played on stage and we don’t see any of it. That’s why I would like us to be able to extend this tiny window, these eighty years, a little. So that I can understand a little more of this play.”
Peter Weibel, Karlsruhe, 2002