Read More“For dust we are and to data we shall return.”
#319 the horizon of matter
Trinity Twins | 2022/23
QUANTUM CINEMA OF PERILOUS PROBABILITY (AND ULTIMATE UNCERTAINTY)
#unescocityofmediaarts
Read more "Trinity Twins | 2022/23"ORBIS LUMEN | 2017-2019
The Light of the World – The Sugarcoat of Nuclear War
A world map built from white sugar cubes serves as a global canvas documenting the chronological history of nuclear detonations. This work provokes profound reactions and reflections on our technological advancements, their consequences and the impending threat of nuclear warfare and omnicide, the annihilation of all life forms, including humanity. “Sometimes, it felt like the inner workings of the universe made visible. It revolved slowly, then grew in complexity until it seemed, in substance if not style, like a collaboration between da Vinci, Picasso and Stephen Hawking.” “…a merciless revealer using the means of Art.” R1 by Oskar Fischinger as a deep data dome derivate at DIVE – festival for immersive arts by Saup & Laibach A Conversation between Peter Weibel and Michael Saup, Karlsruhe, 2002 “When people disappear, new systems and ideas can emerge. But i’m not fighting for death, i’m trying to limit it: we humans participate in this evolution for such a short time that we can’t even observe it. there’s a huge play being played on stage and we don’t see any of it. That’s why I would like us to be able to extend this tiny window, these eighty years, a little. So that I can understand a little more of this play.” Peter Weibel, Karlsruhe, 2002 FROM GEONEMESIS TO NEOGENESIS Anastasiia Belousova & Michael Saup | ru-de | in-fossil Supported by the Akademie der Künste, Berlin, with funding from the Federal Government Commissioner for Culture and the Media as part of the NEUSTART KULTUR programme. for the appreciation of all things micro by Amanda Gregory and Michael Saup – April 2021 carnivorous coronavirus minor infinities #1 the fossil chain and the renaissance of greed documentary film about the Fukushima nuclear crisis “Finding a positive thing in a very negative picture is the most difficult, most challenging type of criticism.” Keibo Oiwa before the nuclear sunrise: entering the abyss of light “Their magnum opus. It is spectacular and sublime.” An immediate humanitarian response to the earthquake and arising Saup, on the other hand, with his monumental sculpture “Avatar Incarnation cRdxXPV9GNQ” depicts the daily consumption of energy by the seemingly clean Internet so strikingly and impressively “that it will blow every visitor away and is guaranteed to make them think.” How much energy is needed to view one single video on YouTube? How I stole the radioactive “Radioactive traces will be the heritage to the next generations and not the cultural artifacts.”
°ABOUT
Read more "°ABOUT"
Evening Post, New Zealand°WORKS & EXHIBITIONS
Read more "°WORKS & EXHIBITIONS"
Berliner Zeitung, GermanyR1 RAUMLICHTKUNST | 1927
minimalcarbon | 2022/23
Peter Weibel Farewell Tribute [1944 – 2023]
infossil – AD VITAM | 2002
Read more "infossil – AD VITAM | 2002" WELT | NOVA KOSMOGRAFIKA | 2022
POCHEN Biennale 2022 – “Die (neue) Vermessung der Welt”
29.09. bis 09.10.22µ | 2021
a new world atlas inside the deep data domeWithout Human – Lagrange 7- naturæ sapiens | 2021
VIRUS
IS A LANGUAGE
FROM INNER SPACE | 2020
the art of cartography
Read MoreINF | 2019
CRYPTOGENESIS | 2018
Nuclear Zen | 2017
with Keibo Oiwa, Japanese author, activist & philosopher
20 minVOR SONNEN-AUFGANG | 2017
a short film by Michael with Laibach
The QuietusHumanitarian |
Open Home Project |
2011
nuclear crisis in Japan, March 2011
Open Home Project |
2011" AVATAR | 2010
Read more "AVATAR | 2010" SCIENCE |
Media Metrics |
2010
Media Metrics |
2010" FALLING FOREST | CHERNOBYL | 2008
Tree of Half-Life
from Chernobyl
Margit Rosen on Pulse8 by Michael Saup, 1992