q-human

Addressing social, technological and political challenges

R111 | 1ST1 | THE LITHIC CLOUD | 1999

At the core of R111 stands 1ST1: a fossil of information, a binary totem formed from stoneware

LIGHT AS SKIN | 1997-2015

the tunnel of light – interactive light installation in Frankfurt airport.

Hyena Days | 1992

In 1992, Hyena Days debuted at Ars Electronica. The project featured a collaboration between Icelandic video art pioneer Steina Vasulka and German media artist Michael Saup, who initiated and directed the work.

Sonic Shadows | 1991

data-tableau for fossil fine ants, C, 1991

PARADAYS | 1989

special price of the jury at the 4. Marler Video-Kunst-Preis 1990

FLICKER | 1987

digital light

WORKS

Works

“R111 could be considered the pinnacle of media art at the turn of the millennium.”
Yukiko Shikata, President of International Association of Art Critics Japan, 2024

NEWS

News

“Using VR, a virtual space, artist Michael Saup has constructed an incredible realm of wonder, a world where reality and data merge. There eternity and instant coexist, virtuality and reality coexist, along with miracle and disillusion.”
Liu Chang, Shanghai, 2023

NUCLEAR

Nuclear

Remembering the tree of Half-Life

“I don’t know what weapons might be used in World War III. But there isn’t any doubt what weapons will be used in World War IV: Stone spears!”
Albert Einstein, 1948

Anthr_0

Anthr0py

Civic engagement addressing challenges created by technological or political systems

minimal carbon ⧉

minimalcarbon.net

Addressing the Digital Power Consumption Crisis

Minimal Carbon was selected by Pioneer – backed by Stripe and Marc Andreessen – after an AI-driven review of 100 million domains weekly, placing it in the top 0.002% of innovations.

This dream is for you
So pay the price
Make one dream come true
You only live twice
–John Barry / Leslie Bricusse (1967)

IOOI SUꓵS

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