How hungry is our favourite beast? And who is sleeping in the big black pyramid?
A realtime energy counter for the Internet at http://openresource.1001suns.com
Read more "Counting on our favourite beast: the Internet"+type
AVATAR | 2010
Read more "AVATAR | 2010"Saup, on the other hand, with his monumental sculpture “Avatar Incarnation cRdxXPV9GNQ” depicts the daily consumption of energy by the seemingly clean Internet so strikingly and impressively “that it will blow every visitor away and is guaranteed to make them think.”
Donaukurier
SCIENCE |
Media Metrics |
2010
How much energy is needed to view one single video on YouTube?
Read more "SCIENCE |Media Metrics |
2010"
AVATAR | 2010
Avatar introduces the avatar of Hollywood’s “Avatar” online YouTube-trailer. A massive body of coal equivalent to the energy used to serve, transmit and view the trailer 1 million times over the Internet.
Read more "AVATAR | 2010"The Sorcerer and the Source | 2011
The nuclear diaries of Johanson Johan Johan
Read more "The Sorcerer and the Source | 2011"FALLING FOREST | CHERNOBYL | 2008
How I stole the radioactive
Tree of Half-Life
from Chernobyl
“Radioactive traces will be the heritage to the next generations and not the cultural artifacts.”
Margit Rosen on Pulse8 by Michael Saup, 1992
Radioactive Gaga | 2008
Radioactive goo goo.
Read more "Radioactive Gaga | 2008"1001 SUNS – 360° | 2002 – 2004
Filmed in India, Sri Lanka, Morocco, Afghanistan and Europe from 2000-2004.
Read more "1001 SUNS – 360° | 2002 – 2004"digital declaration by the infossil corrective | 2003
we have mutated from collective, connective to corrective.
let us correct you, before it is too late.
infossil – AD VITAM | 2002
A Conversation between Peter Weibel and Michael Saup, Karlsruhe, 2002
Read more "infossil – AD VITAM | 2002"“When people disappear, new systems and ideas can emerge. But i’m not fighting for death, i’m trying to limit it: we humans participate in this evolution for such a short time that we can’t even observe it. there’s a huge play being played on stage and we don’t see any of it. That’s why I would like us to be able to extend this tiny window, these eighty years, a little. So that I can understand a little more of this play.”
Peter Weibel, Karlsruhe, 2002
QUOTE R111
“One thing that I’m really curious about though is how does this stuff get made? How did somebody get the money for all that equipment and the room etc. That room is in Omotesando which is one of the most expensive places in Tokyo. It seems like it would be really fun to contribute to […]
Read more "QUOTE R111"R111 | 1999-2001
アートラボ第5回プロスペクト展「R111 —仮想から物質へ」
Read more "R111 | 1999-2001"LIGHT AS SKIN | 1997 – 2015
the tunnel of light – interactive light installation in Frankfurt airport.
Read more "LIGHT AS SKIN | 1997 – 2015"Sonic Shadows | 1991
data-tableau with data fossils, C, 1991
Read more "Sonic Shadows | 1991"FLICKER | 1987
digital light
Read more "FLICKER | 1987"°WORKS & EXHIBITIONS
“If you believe the audience that applauds Saup, this beautiful new media future should best begin right away.”
taz.de, Germany, 1998
Read more "°WORKS & EXHIBITIONS"“…a merciless revealer using the means of Art.”
Berliner Zeitung, Germany, 2010
Quote
Read more "Quote"This dream is for you
–John Barry / Leslie Bricusse (1967)
So pay the price
Make one dream come true
You only live twice