A Live Cinema Experience with Skyline Symphony Orchestra at Luminale Frankfurt am Main.
Pixel Niger – AVATAR in Chile | 2017
■ The black pixel has arrived in Valparaíso
Read more "Pixel Niger – AVATAR in Chile | 2017"+work
201∞ at EMAF17
improving the cognitive signal-to-noise ratio
Read more "201∞ at EMAF17"ZNE!/ETF! listed at ARTCOP21
cultural programme for the 21st UN Climate Summit
Read more "ZNE!/ETF! listed at ARTCOP21"Avatar with ETF! in Lima at COP20, the UN Climate Change Conference 2014
Upcoming Exhibition in Lima, Peru: 29/10/2014 – 19/01/2015
Read more "Avatar with ETF! in Lima at COP20, the UN Climate Change Conference 2014"Avatar with ZNE! at Zeche Zollverein
Zeche Zollverein 19.07.2014 – 04.09.2014
Read more "Avatar with ZNE! at Zeche Zollverein"Under Blue Suns | 2014
UNESCO chooses ZNE! as UN Decade Project
We are more than happy to announce that the German UNESCO Commission has chosen EXAMPLES TO FOLLOW! as an UN Decade Project.
Read more "UNESCO chooses ZNE! as UN Decade Project"ZNE & Avatar in Puebla, Mexico
ZNE hits 21.000 visitors in Sao Paulo
The exhibition took place February 22 – April 4, 2013.
Read more "ZNE hits 21.000 visitors in Sao Paulo"Avatar in Zagreb: Pixel Niger
The first incarnation as a square: pixel niger.
Read more "Avatar in Zagreb: Pixel Niger"PYRAMIS NIGER | BLACK PYRAMID | pirâmide negra
Avatar in China: Limes Niger
Opening: August 5 2012, 5pm at Iberia Center for Contemporary Art, E06, 798 Art Zone, 4 Jiuxianqiao Road, Chaoyang District, Beijing, China.
Read more "Avatar in China: Limes Niger"Avatar in India
Avatar at Mumbai Sun Gates
Read more "Avatar in India"AVATAR in KUNST 1111
Article about the touring exhibition “Zur Nachahmung Empfohlen!”
Read more "AVATAR in KUNST 1111"Open Home Project | 2011
We founded the Open Home Project overnight in Berlin, Germany, on March 15, 2011, as an immediate response to the earthquake and arising nuclear disaster in Japan.
Read more "Open Home Project | 2011"Sugar Mountain
Count the faces in the book at http://openresource.1001suns.com/pyramis-alba.php
Read more "Sugar Mountain"HAL – AVATAR NIGER
Dessau, April 2011
Read more "HAL – AVATAR NIGER"AVATAR in Dessau
show at Umweltbundesamt + Bauhaus Dessau March 23 – April 20 2011
Read more "AVATAR in Dessau"AVATAR – Lecture March V
Vortrag von Michael Saup zur Finnisage der Kunstausstellung ZUR NACHAHMUNG EMPFOHLEN! im Zehntspeicher in Gartow bei Gorleben am 5. März 2011.
Read more "AVATAR – Lecture March V"Counting on our favourite beast: the Internet
How hungry is our favourite beast? And who is sleeping in the big black pyramid?
A realtime energy counter for the Internet at http://openresource.1001suns.com
Read more "Counting on our favourite beast: the Internet"Media Metrics | 2010 ⧉
AVATAR | 2010
Avatar introduces the avatar of Hollywood’s “Avatar” online YouTube-trailer. A massive body of coal equivalent to the energy used to serve, transmit and view the trailer 1 million times over the Internet.
Read more "AVATAR | 2010"FALLING FOREST | CHERNOBYL | 2008
How I stole the radioactive
Tree of Half-Life
from Chernobyl
Read more "FALLING FOREST | CHERNOBYL | 2008"“Radioactive traces will be the heritage to the next generations and not the cultural artifacts.”
Margit Rosen on Pulse8 by Michael Saup, 1992
Radioactive Gaga | 2008
Radioactive goo goo.
Read more "Radioactive Gaga | 2008"HfG Karlsruhe | 1999-2005
some notes about my academic life in the late 90s and early 00s
Read more "HfG Karlsruhe | 1999-2005"digital declaration by the infossil corrective | 2003
we have mutated from collective, connective to corrective.
let us correct you, before it is too late.
infossil – AD VITAM | 2002
A Conversation between Peter Weibel and Michael Saup, Karlsruhe, 2002
Read more "infossil – AD VITAM | 2002"“When people disappear, new systems and ideas can emerge. But i’m not fighting for death, i’m trying to limit it: we humans participate in this evolution for such a short time that we can’t even observe it. there’s a huge play being played on stage and we don’t see any of it. That’s why I would like us to be able to extend this tiny window, these eighty years, a little. So that I can understand a little more of this play.”
Peter Weibel, Karlsruhe, 2002