“If you believe the audience that applauds Saup, this beautiful new media future should best begin right away.”
taz.de, Germany, 1998
Read more "°WORKS & EXHIBITIONS"“…a merciless revealer using the means of Art.”
Berliner Zeitung, Germany, 2010
Welcome. I am Michael Saup.
“R111 could be considered the pinnacle of
media art at the turn of the millennium.”Yukiko Shikata, President of International Association of Art Critics Japan, 2024
Read more "°ABOUT"“Sometimes, it felt like the inner workings of the universe made visible. It revolved slowly, then grew in complexity until it seemed, in substance if not style, like a collaboration between da Vinci, Picasso and Stephen Hawking.”
Evening Post, New Zealand, 1998
“If you believe the audience that applauds Saup, this beautiful new media future should best begin right away.”
taz.de, Germany, 1998
Read more "°WORKS & EXHIBITIONS"“…a merciless revealer using the means of Art.”
Berliner Zeitung, Germany, 2010
Read More“For dust we are and to data we shall return.”
#319, DUST VR
Addressing the Digital Power Consumption Crisis
Read more "minimalcarbon | 2022/23"minimal carbon has been selected 2023 by Pioneer, a startup accelerator dedicated to fostering creative and ambitious innovators representing a collective valuation exceeding $1 billion. Backed by Stripe and Marc Andreessen, Pioneer employs an advanced AI-driven process, scraping 100 million domains weekly and narrowing down the top 0.002% [1:50,000] for human evaluation—ultimately identifying minimal carbon as one of its standout innovations.
FROM GEONEMESIS TO NEOGENESIS
Read more "NOVA KOSMOGRAFIKA | 2022"QUANTUM CINEMA OF PERILOUS PROBABILITY (AND ULTIMATE UNCERTAINTY)
#unescocityofmediaarts
Read more "Trinity Twins | 2022"There is no excerpt because this is a protected post.
Read more "Protected: TRANSCHEMICAL | NU MATTER | 2022"for the appreciation of all things micro
a new world atlas inside the deep data dome
carnivorous coronavirus
the art of cartography
Read More
never mine the blocks
Read more "CRYPTOGENESIS | 2018"The Light of the World – The Sugarcoat of Nuclear War
A world map built from white sugar cubes serves as a global canvas documenting the chronological history of nuclear detonations. This work provokes profound reactions and reflections on our technological advancements, their consequences and the impending threat of nuclear warfare and omnicide, the annihilation of all life forms, including humanity. documentary film about the Fukushima nuclear crisis “Finding a positive thing in a very negative picture is the most difficult, most challenging type of criticism.” Keibo Oiwa before the nuclear sunrise: the abyss of light “Their magnum opus. It is spectacular and sublime.” “Ohne Musik wäre das Leben ein Irrtum | Without music, life would be a mistake” the tunnel of light – interactive light installation in Frankfurt airport. An immediate humanitarian response to the earthquake and arising Saup, on the other hand, with his monumental sculpture “Avatar Incarnation cRdxXPV9GNQ” depicts the daily consumption of energy by the seemingly clean Internet so strikingly and impressively “that it will blow every visitor away and is guaranteed to make them think.” How much energy is needed to view one single video on YouTube? How I stole the radioactive “Radioactive traces will be the heritage to the next generations and not the cultural artifacts.” some notes about my academic life in the late 90s early 00s we have mutated from collective, connective to corrective. A Conversation between Peter Weibel and Michael Saup, Karlsruhe, 2002 “When people disappear, new systems and ideas can emerge. But i’m not fighting for death, i’m trying to limit it: we humans participate in this evolution for such a short time that we can’t even observe it. there’s a huge play being played on stage and we don’t see any of it. That’s why I would like us to be able to extend this tiny window, these eighty years, a little. So that I can understand a little more of this play.” Peter Weibel, Karlsruhe, 2002 アートラボ第5回プロスペクト展「R111 —仮想から物質へ」 In 1992, Hyena Days debuted at Ars Electronica. The project featured a remarkable collaboration between Icelandic video art pioneer Steina Vasulka and German media artist Michael Saup, who initiated and directed the work. Steina Vasulka, co-founder of The Kitchen and a leading figure in experimental video, brought her unique approach to live image manipulation. Connecting […] data-tableau with data fossils, C, 1991 digital light This dream is for you
Nuclear Zen | 2017
with Keibo Oiwa, Japanese author, activist & philosopher
20 minVOR SONNEN-AUFGANG | LAIBACH | 2017
a short reminder by Michael and Laibach
Read MoreLIGHT AS SKIN | 1997 – 2015
Humanitarian |
Open Home Project |
2011
nuclear crisis in Japan, March 2011
Open Home Project |
2011" AVATAR | 2010
Read more "AVATAR | 2010" SCIENCE |
Media Metrics |
2010
Media Metrics |
2010" FALLING FOREST | CHERNOBYL | 2008
Tree of Half-Life
from Chernobyl
Margit Rosen on Pulse8 by Michael Saup, 1992HfG Karlsruhe | 1999 – 2005
Read more "HfG Karlsruhe | 1999 – 2005" digital declaration by the infossil corrective | 2003
let us correct you, before it is too late.infossil – AD VITAM | 2002
Read more "infossil – AD VITAM | 2002" R111 | 1999-2001
Hyena Days | 1992
Sonic Shadows | 1991
FLICKER | 1987
Quote
Read more "Quote"
So pay the price
Make one dream come true
You only live twice