all of us will minimize the power consumption crisis of the digital age
FRONTPAGE
WELT | NOVA KOSMOGRAFIKA
Anastasiia Belousova & Michael Saup | ru-de | in-fossil
POCHEN Biennale 2022 – “Die (neue) Vermessung der Welt”
29.09. bis 09.10.22
Supported by the Akademie der Künste, Berlin, with funding from the Federal Government Commissioner for Culture and the Media as part of the NEUSTART KULTUR programme.
Read more "WELT | NOVA KOSMOGRAFIKA"Trinity Twins | QUANTUM CINEMA OF PERILOUS PROBABILITY | 2022
Kinemathek Karlsruhe
March 19 to May 31 2022
#unescocityofmediaarts
µ | 2021
for the appreciation of all things micro
a new world atlas inside the deep data dome
Without Human- Lagrange 7- naturæ sapiens | 2021
by Amanda Gregory and Michael Saup – April 2021
Read more "Without Human- Lagrange 7- naturæ sapiens | 2021"°ABOUT
Read more "°ABOUT"“Sometimes, it felt like the inner workings of the universe made visible. It revolved slowly, then grew in complexity until it seemed, in substance if not style, like a collaboration between da Vinci, Picasso and Stephen Hawking.”
Evening Post, New Zealand
VIRUS
IS A LANGUAGE
FROM INNER SPACE | 2020
carnivorous coronavirus
the art of cartography
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DUST | 2018-2020
Environmental Virtual Reality Data Triptych
“For dust we are and to data we will return.”
neogenesis 3.19
It is estimated that one human life is lost prematurely every 5 seconds due to exposure to dust. Furthermore, it is estimated that one human life is lost prematurely every 18 minutes due to the exposure to dust originating from the production, delivery and consumption of digital data.
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CRYPTOGENESIS | 2018
the blockchain and the renaissance of fossil greed
Read more "CRYPTOGENESIS | 2018"ORBIS LUMEN | 2017-2019
The Light of the World – The Sugarcoat of Nuclear War documentary film about the Fukushima nuclear crisis before the nuclear sunrise: entering the abyss of light “Their magnum opus. It is spectacular and sublime.” An immediate humanitarian response to the earthquake and arising Pyramis Niger, How much energy is needed to view one single video on YouTube? How I stole the radioactive “Radioactive traces will be the heritage to the next generations and not the cultural artifacts.” we have mutated from collective, connective to corrective.let us correct you, before it is too late. art is only good for entertaining the troops in times of crisis. in times of peace, artists behave in affirmative manners. artists are the weakest tribe, fighting their own shadows. virtual art has the palest face of all. digital […] “…a merciless revealer using the means of Art.” アートラボ第5回プロスペクト展「R111 —仮想から物質へ」 data-tableau, C-code, 1991
Nuclear Zen | 2017
with Keibo Oiwa, Japanese author, activist & philosopher
20 min
Read MoreVOR SONNEN-AUFGANG | 2017
with LAIBACH
The Quietus Humanitarian |
Open Home Project |
2011
nuclear crisis in Japan, March 2011
Open Home Project |
2011" AVATAR | 2010
The Avatar of the Internet
How hungry is the Internet?
SCIENCE |
Media Metrics |
2010
Media Metrics |
2010" FALLING FOREST | CHERNOBYL | 2008
Tree of Half-Life
from Chernobyl
Margit Rosen on Pulse8 by Michael Saup, 1992digital declaration by the infossil corrective | 2003
°WORKS & EXHIBITIONS
Read more "°WORKS & EXHIBITIONS"
Berliner Zeitung, GermanyARCHIVE | R111 | 1999-2001
Archive | sonic shadows | 1991